If something is technically wrong but inaudible, is that a problem ? When is it OK to break the rules ? What is “audibility”, anyway ?
- If everyone else is listening is listening on earbuds and phones, why shouldn’t we ?
- If music is art, it’s just a matter of taste – so how can anything be wrong ?
- Ear training – how do you learn to listen ?
- Are the answers to any of these questions different for mastering engineers ?
- Plus: The secret super-power of Stealth Tambourines