I used to say that the Loudness Range (LRA) measurement wasn't really useful when mastering - but recently I changed my mind. In this episode I explain why, and how loudness range is actually something you might want to pay attention to, as well.
Topics include:
- What is the Loudness Range ?
- How is it different to Dynamic Range ?
- What even IS Dynamic Range, anyway ?
- Why did I say that LRA wasn't helpful ?
- How I changed my mind, and why
- How LRA could be useful for you
Links
TMS #90 - Inter-sample peaks and True Peak limiting - the devilish details
TMS #73 - Are you having a LUF ?
TMS # 60 - The loudness technique you need to start using TODAY
See the dynamics of your audio at a glance – with Dynameter
Hear the advantage of "Top of LRA" loudness matching with Loudness Penalty Studio
Hi Ian, Great Topic and a lot of food for thoughts. Understanding the nitty -gritty of the LRA is key for a good analysis along the mastering process as well as to support the decision-making process what to do next when working with audio or comparing tracks. In addition to that, from the first time I started using the Loudness Penalty Studio in combination with the Dynameter, my whole process has improved. Thank you for The Mastering Show #108.Any idea if streaming platforms are considering the adoption of Top LRA as a parameter?
Sadly I think it's unlikely in the near future, Sergio 😕