The Mastering Show

The Mastering Show Podcast

with Ian Shepherd and Jon Tidey

The Mastering Show #30 - More of your Questions Answered

March 13th, 2017 BY Jon Tidey - 3 Comments 

The first Q&A show got a great reaction, so we decided it was time for another one ! Questions this time:

  • Re-mastering - opinions about the 2009 Stone Roses re-issues
  • Do young people find clipping and other distortion more acceptable ?
  • Should a clipper ever be used after a limiter ?
  • Should bass sounds always be in mono ? How do you treat them ?
  • Does speaker or headphone calibration software really work ?

Links

TMS 14 – Distortion (The good, the bad and the ugly)

TMS 19 - Sylvia Massy

TMS 26 – Clipping: What is it, and is it ever acceptable ?

TMS 3 – Limiting – and why you’re probably doing it wrong

TMS 8 – You Need This

TMS 5 – Mastering EQ is about balance, not matching

TMS 13 – Vinyl (This may ruffle a few feathers !)

Ian’s favourite VU Meter - The Klanghelm VUMT

REAPER Blog review of VUMT Deluxe

TMShow 25 – Stereo: width, depth and image – how to measure, monitor and master them

The Mastering Show #29 - Mastering Live Sound

March 3rd, 2017 BY Jon Tidey - 2 Comments 


Some of our favourite albums are live recordings - and some of the most challenging and interesting mastering projects are also recorded live. In this episode we discuss:

  • The most common problems with live sound, and
  • The mastering rules you’re allowed to break to solve them
  • What is the “ideal” live recording ?
  • How restoration tools can be useful for mastering live sound
  • Techniques for mastering live classical music
  • How to preserve the most important aspect of any live recording in mastering

Links

TMS #25 – Stereo: width, depth and image – how to measure, monitor and master them

TMS #5 – Mastering EQ is about balance, not matching

TMS #28 – Remastering & Restoration

How to extend a fade-out

 

The Mastering Show #28 - Remastering & Restoration

February 18th, 2017 BY Jon Tidey - 5 Comments 


 

What is re-mastering ? Why would you want to do it ? And how ? And even - should you ? Topics include:

  • The ultimate goal of great remastering
  • Why getting an ideal source isn’t always as simple as it sounds
  • Restoration tools for mastering, and how to use them
  • When remastering goes bad - the remastering backlash
  • One of Ian’s most challenging remastering projects

Links

CDs - perfect sound forever ? Analogue versus digital

iZotope RX

Mastering for vinyl (This may ruffle a few feathers !)

Loudness: what, why and how

The Music of Michael Moorcock

The Mastering Show #27 - Mastering audio for games

January 30th, 2017 BY Jon Tidey - 2 Comments 


 
How do you master audio for games ? Can you master audio for games ? Is it even a thing ? It turns out the answer is Yes, but it’s complicated. In this episode we talk to Jay Fernandes about audio in games, including:

  • Why audio is critical to the gaming experience
  • How “mastering” works in games
  • Challenges and solutions in gaming audio
  • How to measure the loudness of a game, what to aim for, and why it matters
  • Some of the best games for audio
  • Why Jon hates "3D sound"

Links

Turn Down For What?? Why Loudness Matters In Video Games

The Mastering Show #6 – Loudness: What, Why and How

Beards, Cats and Indie Game Audio Podcast
- Jon recommends episode 28 on burnout

Twenty Thousand Hertz Podcast - From Analogue to Digital

 

Selected games

Firewatch

Limbo

Defcon

System Shock 2

Pong (OK, so it has three sounds…!)

The Mastering Show #26 - Clipping: What is it, and is it ever acceptable ?

January 16th, 2017 BY Jon Tidey - 5 Comments 


Some people say clipping distortion is inaudible, some say it’s the true secret of really “loud” mastering, some say it’s a powerful creative effect, others that it’s the spawn of the devil. So who is right, and why ? In this show we talk about:

  • What clipping is, and the difference between the analogue & digital varieties
  • When and why we use it
  • Whether you can repair clipping damage
  • The difference between clipping and limiting
  • Why clipping & saturation are NOT the secret of "analogue warmth"

(more…)

The Mastering Show #25 - Stereo: width, depth and image - how to measure, monitor and master them

December 12th, 2016 BY Jon Tidey - 2 Comments 

It’s amazing how much control you can have of the stereo image in mastering, even with quite simple tools. In this show we explore:

  • What is stereo ? The simplest and most sophisticated types
  • Ian's new favourite mixing plugin for creating stereo from a mono sound
  • How to measure stereo width and control it
  • How to influence reverb levels in mastering
  • What is M/S processing - and why it's probably not exactly what you think
  • The power & problems of M/S processing
  • Recommended stereo processing plugins

Our guest this week is mastering and mixing engineer Ian Stewart

Links

Ian Stewart's Blog

Flux stereo tool

Jerobeam Fenderson - music made for oscilloscope

Voxengo MSED - mid/side plugin

Klanghelm VUMT - VU meter emulation (new version)

Fabfilter Pro Q 2 - EQ plugin with excellent M/S functionality

Stereo width in mastering – how to measure, monitor and modify it

(Video includes demos of a simple correlator and the Nugen Visualizer 2 with 'correlation by frequency' display)

The Mastering Show #24 - Mastering for online streaming (including Mastered for iTunes)

November 24th, 2016 BY Jon Tidey - 4 Comments 

How do you optimise your music for online streaming, when there are so many different services and standards out there ?

Specifically:

  • What’s the best file format to submit ?
  • What about the specifications ?
  • Can you compensate for the sound of the encoder ?
  • How do you know how loud to make your music ?
  • Should you make separate masters for every service ?
  • What about Mastered for iTunes ?

To get the “Black Friday” discount on Dynameter or any other MeterPlugs product, use this link and the coupon code TMSBLACK in the shopping cart:

Ian Shepherd’s Dynameter, by MeterPlugs (more…)

The Mastering Show # 23 - Balance (or, how to master an album)

November 14th, 2016 BY Jon Tidey - 10 Comments 


The most common question I’ve been asked since starting the show is - “how do I balance songs against one another ?”. Especially balancing quiet and loud songs, or when they’re from diverse genres. So in this show, we try to answer that - and touch on many other topics, too:

  • The mastering tip that’s almost too simple to say - but embodies the heart and soul of mastering
  • Why Ian doesn't master single songs any more (if he can help it)
  • Do all digital EQs sound the same ? And Ian’s new favourite (free) EQ plugin
  • Why we need "Album mode” to stop loudness management sucking the heart out of our music
  • The first thing Ian does in every mastering session
  • A ninja loudness trick when balancing quiet & loud songs
  • Should you use automation when mastering ?

(more…)

The Mastering Show #22 - Your questions answered

October 17th, 2016 BY Jon Tidey - 8 Comments 


Your questions answered. Well, some of them, anyway ! It’s been over 20 episodes, people seem to be liking the show, and have been asking lots of questions - it seemed like a good time to answer some of them.
Topics include:

  • Do we really NEED mastering ?
  • Why you shouldn’t master on the mix bus
    (if you want to be good !)
  • Dealing with clients (and why you should make yourself expensive)
  • The best way to burn a master disc, and which brands to buy
  • How to mix and master drums LOUD

And many more... (more…)

The Mastering Show #21 - Why digital “resolution” doesn’t exist - because dither

September 27th, 2016 BY Jon Tidey - 7 Comments 

Yes - it’s The Dither Episode !

But hang in there, it’s not as bad as you might think. My guest host this week is Jon Tidey from reaperblog.net, who hates talking about dither, so I had to work hard to keep it interesting. And I think I succeeded, mostly!

We cover loads of topics, like why the analogy of hi-res digital audio with digital photos is wrong (or at least deeply misleading) and why dither means digital ‘resolution’ is NOT a real thing.

Plus:

  • Why dither helps prevent your audio from 'sounding digital’
  • How the right kind of dither can make even 8-bit audio sound OK
  • Why it works - and what that has to do with my lava lamp
  • Whether we can *really* hear the difference
  • How to test yourself using “Gangnam Style"
  • Why you should stop worrying and just dither !

(more…)

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